“While back, I took a stroll through the pit, I saw that kid we got running things down there, uh, Poot. Now, he got the cell phone I gave him for the business, right there on his hip. But, the nigga got another cell phone that only rang when the pussy called. Now, if this no-count nigga got two cell phones, how the fuck you gonna sell any more of them motherfuckers? That’s market saturation.”
-Stringer Bell
It has long been established how we here at Rake Blog feel about NBC’s The Office, but today we sing praises in its name after last night’s episode, “New Boss.” The titular boss that catapults the episode from typical to noteworthy is a new character named Charles Minor, portrayed by none other than Idris Elba, a.k.a. Stringer Bell.
Elba more or less reprises the Stringer Bell character in The Office, playing a no-nonsense businessman interested in little but product and profit, and in the process furthering The Wire’s credo that business is business, whether you’re selling red caps or paper supplies. Minor puts BMOC’s Michael Scott and Jim Halpert in their places, proving immune to the charms of the former 40-year-old virgin and current Blackberry spokesman, respectively, at one point coldly instructing Halpert to shut the door behind him as if he were Boadie Brodus messing up a count.
And when all is said and done, maybe that’s exactly the case: Jim and Boadie are one in the same; Middle managers whose ability to stay cool under the pressures of a demanding marketplace and ease in dealing with customers has granted them upward mobility in their industries of choice. Likewise, Minor makes it known to that office workers of Dunder-Mifflin’s Scranton branch that he rules with an iron fist, showing little patience for the shenanigans typical of Michael Scott’s regime. While Michael embodies the Peter Principal with his incompetent, emotion-driven managing style, Minor mirrors Bell’s ruthless business savvy, letting Michael throw a tantrum and scurry out of the office in tears in a parallel to Bell’s orders that Poot and Boadie are to kill their lifelong friend, the emotionally unstable Wallace. When Minor dissolves Scranton’s time-honored Party Planning Committee, he cuts Michael every bit as deep as Bell did when he informs Avon Barksdale that it was he who ordered the hit on Avon’s nephew, D’angelo.
The goal of both The Office and The Wire is to paint a picture of reality. Both series emphasize the mundaneness of working within a system, the repercussions of inept leadership and the motivation for why human beings bother getting up and going to work in the morning. The Office’s staff and the street crews, schoolteachers, police officers, politicians, children, civil servants, newspaper reporters and the other denizens of the Wire’s universe interact within their own micro-environments (The Dunder-Mifflin office and the city of Baltimore, respectively), as well as greater American society. The Scranton office is faced with the prospects of branch mergers, transfers and corporate meddling, while The Wire’s Baltimore deals with everything from diverted port traffic to invading drug dealers from New York to intrusions from the Federal Government.
In conclusion, watching Stinger Bell punk Jim Halpert was extremely satisfying. There’s nothing like some over-the-top pop culture analysis to kick off the weekend.